I'd suggest taking a look here.
No - I have worn moccasins around the house, at least in the winter, since I was a kid and make-them-yourself kits were in fashion back in the '70s. No idea how many pairs I have had since then.
Moccasins.
In real life meeting most of the value is in the informal side chats that you have just before or just after, in my experience. Unfortunately that basically doesn't happen in virtual meetings, so I join dead on time, or a minute or two in for larger ones.
IMO just as likely that the lush jungle world of Tatooine will be the test site for the planet-killing superweapon du jour.
For the last few years I have doing a 'big read' of something over the course of each year - War and Peace, In Search of Lost Time, Finnegans Wake and, in 2024, Romance of the Three Kingdoms. There is some enduringly memorable material in each of those, and reading them has been quite an experience but I have decided to take a break from that format of reading and just have a year of SF in 2025 - catching up on some that I have long meant to read, starting with Dan Simmons' Hyperion. Just finished the Scholar's Tale so far and am thoroughly hooked.
Otherwise, I am most of the way through Memoirs and Confessions of a Justified Sinner - which I believe was recommended in this community a while back - which is notable if for no other reason than it includes the first use of the term infangthief that I have encountered since reading 1066 And All That in my teens. And also a recent Doctor Who audionovel The Lord of Misrule by Paul Morris, which is an enjoyably nostalgic tale featuring some beloved characters (as read by Jon Culshaw), but overall nothing exceptional so far.
A few that haven't been mentioned so far:
- Flowers from 2016 - fairly dark.
- Inside No. 9 - from 2014, also fairly dark at times
- Here We Go - a one-off in 2020 and then seasons from 2022
- Yes Minister/Yes Prime Minister - from 1980
- Porridge - from 1973
- Red Dwarf - 1988
In my case this would something from the '60s and '70s in the UK then - and I suppose that stop-motion in The Clangers or Bagpuss etc wouldn't really count, so probably between the gentle, character-based storytelling of Ivor the Engine (and that is a cut-out animation - but I'd think still qualifies) and the surrealism, punning and energy of Roobarb (and Custard).
I'm in East Anglia. The best I can do would be a rain picture - staying that way for the rest of the day, it seems.
It proved to be a busy week, so I have not quite finished either Hyperion or Confessions.... However, I would definitely recommend Hyperion. Each section is better than the previous, taking in a great range of genres and telling some very human tales against some excellent worldbuilding.
Confessions is a curiosity, and probably not for everyone, but I am glad to have (almost) read it.