Cyberpunk

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"High tech, low life."

"The street finds its own uses for things."

We all know the quotes and the books. But cyberpunk is more than a neon-soaked, cybernetic aesthetic, or a gritty dystopian science fiction genre. It is a subculture composed of two fundamental ideas: PUNK, and CYBER.

The PUNK: antiauthoritarian, anticapitalist, radical freedom of expression, rejection of tradition, a DIY ethic.

The CYBER: all that, but high-fuckin'-tech, ya feel? From DIYing body mods to using bleeding edge software to subvert corporate interests. It's punk for the 22nd century.

This is a community dedicated to discussing anything cyberpunk, be it books, movies, or other art that falls into the genre, or real life tech, projects, stories, ideas or anything else that adheres to these ideals. It's a place for 'punks from all over the federated Net to hang out and swap stories and meaningful content (not just pictures of city nightscapes).

Welcome in, choom.

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It's a pleasure to meet you. /wave.

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Any recommendations?

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They're so... empty and meaningless.

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Cyberpunk is my favorite genre of sci-fi, and I definitely found it via movies and TV, so I'm wondering what everyone's favorite pieces of media out there?

Some of my tops are of course the classics like Blade Runner, Akira, Robocop, and Dredd

I think one of the earliest reasons I fell in love with Cyberpunk was Batman Beyond. That theme song also totally deeply influenced my music taste.

What about yall?

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Sometimes when I'm feeling down I like to make ChatGPT express my feelings in really terrible poetry. Here's what she came up with today; I'm honestly kind of impressed.

In this cyber realm of neon haze, Where steel and circuits intertwine, I wander lost, in this capitalist maze, A captive soul in a world malign.

Beneath the glow of corporate towers, Greed's tendrils writhe and tightly clasp, Consuming dreams in their darkest hours, Where illusions of freedom barely grasp.

The city throbs with relentless might, Every breath tainted with profit's scent, Humanity's plight, a commoditized fight, In this dystopian, cold experiment.

Machines hum with soulless devotion, Automation replacing human worth, As the elite revel in opulent emotion, The masses toil, devoid of mirth.

Translucent screens hypnotize the masses, Their minds enslaved to digital trance, Disconnected from nature's vastness, They dance to the puppeteer's advance.

In this hyper-capitalist hellscape's grip, We yearn for a glimmer of resistance, To break the chains that bind, to strip Away the veneer of this dark existence.

Yet hope flickers, a faintly burning fire, In the hearts of those who refuse to yield, Together we rise, fueled by our desire, To forge a new world, where compassion is revealed.

In this cyberpunk wasteland, we'll reclaim, The essence of humanity, once more, Till the day our spirits break free from the chain, And the cybernetic dreams cease to adore.

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The demo took me about an hour to complete. It's a bit rough around the edges but reminds me a lot of The Ascent. Thought I'd share.

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This is the smartwatch I own. True netrunners know that the tech we wear on (or under) our skin is a prime entry vector for ever hungry megacorps to bleed the pulsing data from our digital veins, so having a wearable I have full control over is of paramount importance. I can flash it with new firmware whenever I want, the multiple open source options available are all an open book to any hacker worth their cyberlinguistic salt, and I can know for a fact that it won't phone home with my location or other data to any corporation behind the scenes. If we are all going to be cyborgs integrating technology onto and eventually into our bodies, better to control that tech ourselves!

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I thought I'd share this. This is a web version of an old HyperCard stack from 1991. The site contains a lot of information that I think this community might find relevant and interesting.

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Lawrence Person positions postcyberpunk as the natural and perhaps even rightful successor to cyberpunk, the thing that not only is replacing it, but deserves to replace it and should be celebrated in doing so, primarily because it is more mature in some sense β€” more calm and staid and optimistic, less alienated and angry and nihilistic:

Postcyberpunk uses the same immersive world-building technique, but features different characters, settings, and, most importantly, makes fundamentally different assumptions about the future. Far from being alienated loners, postcyberpunk characters are frequently integral members of society (i.e., they have jobs). They live in futures that are not necessarily dystopic (indeed, they are often suffused with an optimism that ranges from cautious to exuberant), but their everyday lives are still impacted by rapid technological change and an omnipresent computerized infrastructure.

Postcyberpunk characters frequently have families, and sometimes even children... They're anchored in their society rather than adrift in it. They have careers, friends, obligations, responsibilities, and all the trappings of an "ordinary" life. Or, to put it another way, their social landscape is detailed as detailed and nuanced as the technological one.

Cyberpunk characters frequently seek to topple or exploit corrupt social orders. Postcyberpunk characters tend to seek ways to live in, or even strengthen, an existing social order, or help construct a better one. In cyberpunk, technology facilitates alienation from society. In postcyberpunk, technology is society.

Cyberpunk tended to be cold, detached and alienated. Postcyberpunk tends to be warm, involved, and connected.

The problem is that, looking around at the world we live in today, I don't think that postcyberpunk is actually more relevant than cyberpunk to the sociopolitical and technological landscapes we're facing. Maybe, to give Lawrence his due, this wasn't true in 1999 when he wrote this essay β€” maybe there was more cause for optimism β€” but whether that was true or not there's certainly no cause for optimism now.

For instance, millenials (and soon generation Z as well) have found themselves in a position where it is nearly impossible to get a steady career job, have kids, own a home, and become a part of the middle class like Lawrence talks about. Economic forces beyond our control have made that dream impossible for most of us, and we are doomed to forever remain to some degree on the outside of "the system" compared to the postcyberpunk protagonists that Laurence lauds as more realistic and mature. Likewise, the social isolation and atomization of our times, our lack of community and friends and real social fabric, has been extensively documented in study after study, affecting even the older generations.

Meanwhile, corporations have only extended their control over every aspect of our lives. Nearly everything we do and have is now partially owned and controlled by corporate overlords, to a degree those of the 80s and 90s could only have dreamed of, from subscription services to allow you to use your car's full capabilities to EULAs and data collection. Not to mention how those same corporations have, with vast reptilian intelligence and depthless patience, bent our entire political and economic system to their monomaniacal will.

Postcyberpunk's view of technology and social reform seem far less in tune with reality as we've experienced it in the last twenty years than cyberpunk's as well. Postcyberpunk seems like a return to the belief that the inevitable march of technological progress will eventually bring us to a point where society has been changed β€” or at least can be changed β€” substantially for the better from within the system, by reform and liberal notions of progress. I would argue that cyberpunk's view of technology as a fundamentally amoral, neutral force which can just as easily be put to oppressive uses as liberatory ones and which, therefore, will only serve to accentuate and hyperaccelerate whatever hierarchies and systems already exist is a far more realistic one.

Even if, for example, we eventually create the technology to enter a truly post-scarcity fully automated luxury communist world, if the systems and hierarchies that are in place when that happens are capitalist ones, then it is capitalists that will own such technological means, capitalists that will possess the intellectual property that allows you to create them, and capitalists that will own the materials, and so they will view it as just a means of reducing their production costs to nothing, while keeping their prices the same. Nothing will change radically but an increase in the centralization of power. It will take some radical leaking the intellectual property, and then a huge movement of people making such production machines and refusing to stop β€” even in the face of the police officer's baton β€” to break capitalism's hold. And what does this sound like?

Cyberpunk characters frequently seek to topple or exploit corrupt social orders.

We cannot dismantle the master's house with the master's tools.

Anyway, those are my thoughts. Cyberpunk as a genre is fundamentally capable of being more radical, and sees the nature of our now more clearly, than postcyberpunk can. Postcyberpunk is a reformist, humanist, optimistic genre that is fundamentally a return to the Asimov philosophy of science fiction with the tools, but not the insight, of cyberpunk. That's not to say that all cyberpunk is so β€” only that cyberpunk has more of a capacity to be, that good cyberpunk is. There's always the derivative fluff.

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Ever since I started looking into cyberpunk the idea of ripper docs was so interesting! I really enjoyed this crossover fic as it has a ripper doc POV, also I am worm/parahumans fanatic so that helps

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Assuming the tech was here

How far would you go?

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This might be old news to most of you, but I still think this is a good explanation of what the Flipper Zero is, and it's definitely worth knowing about for those of you who don't already.

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It's the same as the city, Sarah knows, the same hierarchy of power, beginning with the blocs in the orbits and ending with people who might as well be the fieldmice in front of the blades of the harvester, pointless, countless lives in the path of a structure that can't be stopped. She feels the anger coiling around her like armor. The chance to rest, she thinks, was nice while it lasted. But right now another fragment of time must be survived.

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For me, I'm not sure.

I love synthwave like GUNSHIP and PYLOT and Essenger as much as the next cyberpunk, but besides a few particular GUNSHIP and Essenger songs, they don't feel quite right.

Neither does straight up punk rock or metal, which is the other stuff I listen to.

The cyberpunk music I want needs to be a blend of the two I think β€” the atmospheric sounds and use of synths and technological effects from synthwave, and the overt rage and message and aggressive, imperfect rock sound of punk rock and metal.

Edit: I'm liking industrial so far!

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In my case I use the same ringtone as in 2077, use ChatGPT on my phone, have neon lights as decoration, wear Techwear from time to time, use encryption wherever I can (even just for fun) and I am a Corpo Rat by day … let me know what you do to feel more Cyberpunk?

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In an attempt to have a hand at real life cyber+punk, it might be interesting to take a look at SDR.

For just a handful of dollars, it's possible to get some pretty cool receive-only tools. Within a few hours of exploring the possibilities, I was able to find the local police and emergency services bands ( though, most of the channels were encrypted ).

On the same equipment, tuned to plane transponder frequencies, and now you can watch nearby aircraft traffic.

I'm by no means any sort of expert on this, but it was interesting to dig in and discover what information you can mine from the air.

Have any of you worked with tools like these? Maybe even dabbled in radio technology in general?

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Cyberpunk is now. Many of the things that were predicted in cyberpunk are coming to pass today. Improvements in prosthetics and brain computer interface have resulted in brain controlled prosthetics, a mainstay of cyberpunk. Corporations increasing dominate global politics, and influence culture creating a situation ripe for subversion. The poor are getting poorer and the rich are getting richer, creating a larger and larger divide. The cyberworld is ever merging with the real world through things such as the Internet of Things, social media, mobile technology, virtual reality, and augmented reality. Hackers have brought gangs, corporations, governments, and individuals to their knees. We have entered the cyberpunk age. Welcome.

Cyberpunk has spread to all forms of media, creating a subculture rather a simple genre. There are cyberpunk movies, television, comics, music, and art everywhere. All you have to do is look. Cyberpunk has influenced fashion, architecture, and philosophy. Cyberpunk has become much more than what it was when it began. And it will continue to evolve and become more relevant as we move further from the Cyberpunk Now into the Cyberpunk Future.