ZDL

joined 1 year ago
MODERATOR OF
[–] ZDL@ttrpg.network 1 points 38 minutes ago

Did he delete it? It keeps erroring out for me.

[–] ZDL@ttrpg.network 1 points 44 minutes ago

The Apollo project launched the roughly comparable Saturn V rockets 13 times. None of the launched rockets exploded. None of the launched¹ missions led to any loss of life.

The Saturn V was made at a time when all the computing power on the planet put together was less than a middling-power smart phone of five years ago. The rockets and modules were controlled by computers that had less computing horsepower than an average USB charger. And it was more of an experimental rocket system than anything the Apartheid Manchild's company has put out thus far.

Space Karen's company has launched their pretentiously-named "Starship" system seven times. Four of them ended up exploding, and one of them broke up the launch pad so badly that it endangered life and limb and did damnable violence to a fragile ecosystem with endangered species.

And yet the fanbois trumpet the "success" of a mission that has not yet actually made it to LEO, has not done any of the things it was supposed to have had done in 2022 for NASA's Artemis mission and going back to the moon.

And this turd wants to send people to MARS!?


¹ Important word here. Re-read it before you "well akshuallee" me.

[–] ZDL@ttrpg.network 1 points 58 minutes ago

Park Alpine Dry Gin

[–] ZDL@ttrpg.network 2 points 4 hours ago

Converting $20 to local currency, I'd probably go with this:

This is so-called "Liubao Tea", a kissing cousin to pu'er tea. I did a review of my first batch(es) and it has rapidly (literally with one round of brews) reached the top of my circulation in teas.

The depicted tea is one aged from 1991 (the one I reviewed was tea stems from 2003) and is of one of the higher grades. A 100g package will set you back about $15 or so at today's exchange rate. 100g is about 15-20 servings, and each serving can be brewed multiple times (even my tea stems can be brewed four times without loss of flavour), so it's quite the bargain.

Save it for a time when you really need something warm, rich, and comforting. It will last forever as long as you store it in a cool, dry, dark space. And personally I think it's a bargain at 15 bucks.

[–] ZDL@ttrpg.network 4 points 6 hours ago

It's made in China.

That's it. That's the controversy.

Anything else people pretend is the real reason is fake.

It's just "made in China".

Nothing else.

[–] ZDL@ttrpg.network 2 points 19 hours ago (1 children)

I want to get a DIY kit to make a kalimba tuned to one of the Chinese pentatonic scales.

[–] ZDL@ttrpg.network 3 points 1 day ago

Now imagine this:

I lived in Inuvik for three years (Dad was stationed there). For three consecutive winters I lived 30 days of night. You think you get SAD "down south"? You ain't seen nothin' 'til you've faced a whole month of nothing but twilight conditions or darker.

Which brings us to my first Sunrise Festival.

This is the most memorable sun-related event in my life, displacing even the total solar eclipse I experienced in Wuhan a few years back. For 30 days there was no sun. Further, for 15 days the "twilight" portions of the day got darker and darker until it was basically nothing but night. Then, for 15 days, in the depths of SAD you've never felt the like of, it got brighter and brighter at the high parts of the day.

Until the day of the Sunrise Festival.

This is the day that basically all work stops as close to noon we gathered out in the streets and playgrounds (in my case) and such to watch the sky. Watch the twilight get brighter and brighter and brighter. Until suddenly the sun peeks for a few minutes above the horizon, blood red, staining the sky, only to dip quickly back down.

Sure we've got another month of really, incredibly short days before we face something similar to normalcy, but it's all good. It only gets lighter from here.

The sun is back in town.

[–] ZDL@ttrpg.network 3 points 1 day ago (1 children)

Indeed the "ten commandments" are something that was grafted on afterward. There is no list of ten specific things in the Bible held out as more important than anything else. Indeed in Jewish thought (you know, the people Moses was a part of!), there are over 600 commandments in the Bible, all of which are applicable. There's no ten specific ones that are somehow exceptionally important.

Even if you just want to ignore all Jewish tradition and scholarship, which "commandments" do you want? Those of Exodus 20:2-17 or those of Deuteronomy 5:6-21? You need both to make up all the "ten", and there is overlap between the two lists, but there are also some significant differences and changes. So you can't rely on just one of them to make up your "ten". But nor can you really put them together without papering over the fact that they say different things.

And your second point has bugged me since I was a child. I knew some very good people who studiously studied the Bible in my youth. I also knew some very bad people who did the same.

But I also knew some very good and very bad Buddhists.

And Muslims.

And atheists. (But not Atheists. Those are all basically bad people.)

And ...

You get the drift. I couldn't reconcile the Bible being the source of all that is good with the bad Bible-readers or the good believers in other things. It's why I'm an atheist (but not an Atheist).

[–] ZDL@ttrpg.network 5 points 1 day ago

This is called "no true Scotsman".

I think the best response comes from the Bible itself.

These people are the fruit of Christianity's seeds: "...Ye shall know them by their fruits."

[–] ZDL@ttrpg.network 20 points 1 day ago

Yeah, welcome to my world.

And it's not just with the loud fundamentalists who hold these attitudes. I completely cut off a friend of almost 20 years who seemed to be one of those "sane" and "quiet" Christians when, in a period of mild intoxication, he let spill everything he actually believed.

He believed women should stay at home keeping house and raising children. Women should not have careers or aspirations beyond that. He believed that all of his friends were going to Hell to be tortured for eternity. (He was fine with this. Absolutely copacetic.) He believed that victims of natural disaster and of crime deserved it because obviously God was doing this to them for a reason.

And that's when I realized that even the "quiet" and "non-extreme" Christians can have horrors concealed beneath their placid exteriors. So now I give very large side-eye when people think their Christianity is so important to their life that they have to bring it up at all in circles where it's not relevant.

[–] ZDL@ttrpg.network 2 points 1 day ago

Wash an executive's what now?

[–] ZDL@ttrpg.network 5 points 1 day ago

but that would be problematic because it would show favoritism

And we all know that Trump has never, ever, at any point in his history, played favourites, right?

 

Recalling that LLMs have no notion of reality and thus no way to map what they're saying to things that are real, you can actually put an LLM to use in destroying itself.

The line of attack that this one helped me do is a "Tlön/Uqbar" style of attack: make up information that is clearly labelled as bullshit (something the bot won't understand) with the LLM's help, spread it around to others who use the same LLM to rewrite, summarize, etc. the information (keeping the warning that everything past this point is bullshit), and wait for the LLM's training data to get updated with the new information. All the while ask questions about the bullshit data to raise the bullshit's priority in their front-end so there's a greater chance of that bullshit being hallucinated in the answers.

If enough people worked on the same set, we could poison a given LLM's training data (and likely many more since they all suck at the same social teat for their data).

 

This band is the second Chinese folk metal band I encountered. I was expecting something more like things along the line of 小雨 (Mysterain) when I started listening—which is to say symphonic folk metal—and instead I got … this.

In short I got my mind blown.

This band started my dive into Chinese metal culture, and what I like best about this song, the one that started that dive (or perhaps that pushed me into the deep end of the pool) is that it showed the astonishing diversity of the scene. This is straight-up blackened death metal mixed in cunning ways with traditional Chinese melodies and instrumentation that gives it a unique voice of its own that very few others can match. (葬尸湖/Zuriaake is probably the only other band that can compare in this regard, though less on the instrumentation and more on the melody lines and lyrical content.)

And, not gonna lie, I love watching the faces of westerners when the dan voice kicks in. The "WTAF!?" look just makes me laugh and laugh.

 

Tang Xianzu is called "The Shakespeare of China". I think this is grossly inaccurate. I think he's a far more talented artist than Shakespeare, mastering not only prose, poetry and dialogue like Shakespeare, but also musical and libretto composition. The masterwork he's most known for, and the one generally considered his best, is 牡丹亭/The Peony Pavilion, a stirring multi-day tour de force of the performing arts. (Because I'm a rebel and a loner I actually personally prefer his 南柯记/Record of the Southern Bough, but The Peony Pavilion is really good too.)

This particular piece is a 皂罗袍 (no translation, really, but transliterated Zao Luo Pao) structured element and is a pivotal moment in the 昆曲/Kunqu opera. It is strongly emotionally charged as the lead character 杜丽娘/Du Liniang has her emotions stirred by the garden's scenery which transforms to romantic thoughts. It is the lead-in to the (very steamy!) dream encounter with 柳梦梅/Liu Mengmei and this results in the rest of the events of the play.

There are several reasons why I adore this particular piece:

  1. I'm a fan of Kunqu in general. It is the Chinese operatic form that retains the most relevance to China, despite being its oldest surviving form. This is because most other opera forms have become sterile, courtly affairs that simply recycle music and technique while Kunqu, as an entertainment form of the people, is constantly being rejuvenated as it incorporates the ever-changing culture of the folk around it. (Modern kunqu pieces have, in addition to the traditional vocalization and instrumentation, also incorporated synthesizers, modern drum kits, and even autotune distortions.)

  2. Though this is not my favourite Kunqu (that one is 憐香伴/The Fragrant Companion, an openly sapphic work from 1651), or even my favourite one from Tang Xianzu (that is, as I said, Record of the Southern Bough), it is still a piece I thoroughly enjoy both reading and listening to various aria collections from.

  3. This piece is a perfect embodiment of the emotional essence of the entire play.

In addition, I greatly enjoy this particular adaptation of it by the Zide Qinshe group.

  1. By stripping instrumentation down to only a 古琴/guqin accompaniment to the vocals, it lets the voice shine out as the accompaniment subtly supports it and carries the tune forward.

  2. The guqin player, 白无瑕/Bai Wuxia, is one of my favourite guqin performers capable of some astonishing subtleties on that already-subtle instrument.

  3. The singer, 钱瑜婷/Qian Yuting (a.k.a. Sunshine), has a gorgeous voice under incredibly tight control.

 

十面埋伏 (trans: Ambush from All Sides) is a 琵琶 (pípá or "Chinese lute") long form solo composition dating in its first form from the 16th century, but whose current popular form stems from a 19th century publication of collected pipa works. It's written in the 武 (wǔ or martial) style¹ and is a sweeping sonic depiction of the Battle of Gaixia, the final major battle of the Chu-Han Contention, in 202BCE.

This is one of the most demanding and complicated pieces in pipa canon that strains the player's ability in every possible performance technique; if you're listening to someone playing it you're almost certainly listening to a virtuoso performer. Personally I love it because:

  1. Its composition is top notch and evokes the battle it portrays with vivid musicality.
  2. I admire listening to virtuoso players of any instrument.
  3. I like the sound of the pipa in general.

The performance linked to is considered one of the ultimate performances; Liu Fang is, as is required to play this piece at all, a virtuoso but she adds a dimension of passion to the piece rarely heard in the staid world of Chinese classical music.


¹ As opposed to the 文 (wén or civil) style, which tends to be more bucolic in theme and style.

8
Smoot (www.youtube.com)
submitted 3 weeks ago* (last edited 3 weeks ago) by ZDL@ttrpg.network to c/anythingbutmetric@discuss.tchncs.de
 

Hey, Luigi! I have your next target.

 

 

They are, after all, what they are.

view more: next ›