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I'm the opposite too, Disco really grabbed me in season 3. When Sadil told Burnham "that future is you," I was sold. I honestly teared up, you could feel the weight he carried his entire life being lifted. What a line. Plus the future is a better fit for them and helps avoid continuity issues and all that.
All the gay killin' was disappointing, I agree there.
I think I only got like three or four episodes into Discovery.
It's just, the whole schwooping them off to a different timeline didn't jive with me. It felt like they didn't like the plot they'd done so far and decided to do a soft reset? Maybe they didn't, but it was so strange and I couldn't get back into it at that point. I loved the mushroom stuff. I wanted to see more of May Ahearn. I loved the bit with her and Tilly, and I didn't feel like all that was done yet.
Have they picked that stuff back up since?
Yeah. Like, as a gay person I love seeing more LGBTQ representation, but it's at the same time kind of annoying when we're always killed off. I guess by some definitions ST:D doesn't really fill the bury your gays criteria but it's close enough to be irksome. Like, why must we always die? ๐ฉ
Disco had a rough start because the showrunner Bryan Fuller was fired during preproduction, and they drastically changed the story he had in mind and just ran with it. Fuller has writing credits for the first 3 episodes, which is about where we both gave up on the show (I started again a few years later and got caught up). Those first two seasons are real hit & miss for me, it kinda looked like they were scrambling to develop a compelling story but were under a tight deadline.
The part where they time travel was actually done well, I thought. I had some issues with the tone here and there, but I thought it made sense in universe. It's really too bad Disco had so much turmoil wrt creative control, because I look at how SNW and LD hit the ground running, and it's obvious they had a clear vision from day one and were able to plan everything properly.