this post was submitted on 23 Jun 2024
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I have a few:

  • Chosen ones, fate, destiny, &c. When you get down to it, a story with these themes is one where a single person or handful of people is ontologically, cosmically better and more important than everyone else. It's eerily similar to that right-wing meme about how "most people are just NPCs" (though I disliked the trope before that meme ever took off).
  • Way too much importance being given to bloodlines by the narrative (note, this is different from them being given importance by characters or societies in the story).
  • All of the good characters are handsome and beautiful, while all of the evil characters are ugly and disfigured (with the possible exception of a femme fatale or two).
  • Races that are inherently, unchangeably evil down to the last individual regardless of upbringing, society, or material circumstances.
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[–] Pisha@hexbear.net 0 points 4 months ago (1 children)

Any representation of feudal ruling classes. Maybe I'm overdoing it with the class hatred a bit, but I can't watch nobles cavorting around and not feel an instinctive revulsion. It's even worse when, in fantasy, we're required to care about the machinations of court intrigues as if that's a real form of politics. One thing I do like about many standard fantasy settings, like that of Pathfinder, therefore is that they usually have a modern conception of class and an abundance of republics; especially the whole idea of adventurers as individuals outside of society but still integral to it has a lot of potential I feel. Basically, I just don't want any more fantasy stories about good kings and evil kings.

[–] AssortedBiscuits@hexbear.net 0 points 4 months ago (1 children)

They can't even have gentry-on-aristocracy violence. We have to care about some shitty inbred royal family.

[–] Pisha@hexbear.net 0 points 4 months ago

Exactly! I think part of it is a, in my view, mistaken historical realism where authors think fantasy should be based on the middle ages when, in reality, the better part of our modern fantasy genre derives from post-1600 literature. Like, the rise of the bourgeoisie and decline of feudalism is the primary social context for all of this, I think.