Beehaw's section for your art and original content, other miscellaneous creative works you've found, and discussion of the creative arts and how they happen generally. Covers everything from digital to physical; photography to painting; abstract to photorealistic; and everything in between.
(It's not mandatory, but we also encourage providing a description of your image(s) for accessibility purposes! See here for a more detailed explanation and advice on how best to do this.)
Subcommunities on Beehaw:
This community's icon was made by Aaron Schneider, under the CC-BY-NC-SA 4.0 license.
I just came home from a life drawing session. I was flattered by all the comments and attention my art received. It’s encouraged me to sign up and keep posting work myself. Thanks!
Like I said in one of your partner's posts, they remind me of Picasso's line works but yours seem more expressive. Maybe it's partially due to how you, uh… "create shapes" with the width of the line as well?
Quite the compliment really, thank you! I have taken some inspiration from him, particularly when I watched the doco of him painting - The Mystery of Picasso (1956)
His direct approach to painting a line was something I knew I wanted for my own work (like a weird strong urge type thing). I guess that then mixed with an urge to capture the same energy in calligraphy brush work. And then mix that with my love for Egon Schiele, add 10 years of practice and wallah!
I was turning my phone to see if I could trick people by printing this and hanging it in my room at some weird angle so that they wouldn't notice what it was. Good work :)
Did you, by any chance, use ink to paint this? I'm into fountain pens, and this almost looks like the iron gall blue-black that I use.
This was painted with ultramarine blue fluid acrylics, but I usually use sumi ink
How did you get the various shades? Or does that paint do that naturally? I'm not a painter, so forgivee if that's a dumb question.
Not a dumb question at all. The variation of shades comes from the amount of water mixed into it. But I can also get some variation from how much I push down on the brush.
I love the fluidity you bring to the human form. Something that appears so easy, but alludes most who try to mimic it. Wishing you continued success.