this post was submitted on 21 Aug 2024
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and you should provide me with a good one to read! I've always thought it was weird a conductor was viewed as in 'charge' of people who are all using sheet music but I also know that a central coordinator that tells everyone to start and shit is probably important

how much influence does a conductor have? how do they interact with the other artists artistically and economically? i would love to peer into this a little bit

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s understandable that Marxists, as critics of Great Man Theory, would be skeptical of the extent of the influence of figureheads with, often, large egos, but I think the conductor-musician relationship is a lot more direct than the one between a head of state and their subjects.

I think this is very important to understand, particularly in the creative field, where art direction (not in the capitalistic sense of extracting surplus, but in the sense of allocating people and resources to achieve a certain vision) is sometimes key to get somewhere where a single person wouldn't have been able to.

The nature of said hierarchy and relationship between the person directing and the team is worth critiquing, because more often than not it reinforces or relies on oppressive hierarchies, but I don't think the role of someone leading a team of artists should be completely abolished.