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‘Call of Duty’ Doesn’t Just Depict Bad History—It’s Pro-War Propaganda (progressive.org)

submitted 1 year ago by knokelmaat@beehaw.org to c/gaming@beehaw.org

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I just started playing COD Black Ops Cold War because I got it through my PlayStation Plus subscription and wanted to try it out. I've previously played some others like Modern Warfare (1 and 2) and WWII. While it always felt a bit over the top and propaganda-ish, I really liked it for the blockbuster feeling and just turning your mind off and enjoying the set pieces. However, Cold War has a section in Vietnam and I suddenly started feeling really uncomfortable and just turned the game off.

In WWII you can easily feel like the "defender", and even Modern Warfare felt like fighting a very specific organisation that wanted to kill millions. Here however it just becomes so hard to explain why I'm happily mowing down hundreds of clearly Vietnamese locals that I was unable to turn my mind off and just enjoy the spectacle.

I turned to the internet and started browsing and found this article and I really agree with what the author is saying.

I don't know if I will be continuing the campaign or not, but I just feel that I don't want to support these kinds of minimizations of military interventions.

I just wish there were more high budget / setpiece games that don't glorify real life wars. Spec Ops The Line was amazing in that sense, but it's also quite old already.

I would love to hear your opinions on this subject.

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[–] Blackmist 26 points 1 year ago (4 children)

I mean, yeah. CoD has always glorified it. Even more so in recent years as they push for multiplayer and the massive payday that came with that. The earlier games often had a "war can be bad too" bits. The Russian bit in CoD1. The nuke. "No Russian". But otherwise it's a Michael Bay movie in game form.

Spec Ops The Line was the only game I can think of that bucked that. Even the publishers had no idea what it was, despite the antagonist literally being called Konrad.

[–] sandriver@beehaw.org 4 points 1 year ago

Old game, but Cannon Fodder was an anti-war satire, and also self-aware about the ridiculousness of making a fun game in the context of the horrors of war.

Yasumi Matsuno's career was also built on quite rich and sophisticated crypto-Marxist critiques of superstructures and warfare, although he slid it under the radar via medieval fantasy. Tactics Ogre is probably the most famous Japanese game about genocide and class struggle. Probably the double whammy for why Western games criticism tried so hard to make it flop.

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