British Films

Somehow this one star review from The Guardian makes me want to see it more.

Talking to the Happy Sad Confused podcast, the John Wick director suggested his approach to the new film in development will be to launch a potential series of films. He says the idea is to not rush the first movie to the original film’s conclusion — which crowned MacLeod the sole survivor of a group of dueling immortals following their climactic Gathering.

“I think we have some very good elements now,” he said. “The trick is when you have the tagline, ‘There can only be one,’ you can’t just kill everybody the first time.”

Stahelski also said the film will incorporate elements of the 1992 syndicated Highlander TV series, which ran for six seasons.

“Our story engages a lot of the same characters, but we’ve also brought in elements of all the TV shows,” Stahelski said. “We’re trying to do a bit of a prequel — a setup to The Gathering — so we have room to grow the property.”

He noted he hasn’t thought of John Wick as a franchise (despite that Continental TV show coming) but he does see Highlander as a potential franchise.

“We have ideas for days for the coolest characters [that could make for] an epic TV show,” he said. “I just think that’s rich mythology when you can pick any period of time, any nationality, any culture, any type of person and make them an immortal that have to duel and deal with the burden of immortality — that’s fucking cool.”

Watched any good films? Then tell us about it.

André Øvredal's adaptation of this chapter, "The Last Voyage of the Demeter," ... was set to arrive in U.K. theaters this week until it quietly disappeared from the release slate. UK cinema chain Cineworld confirmed that the film's release has been "delayed indefinitely." The movie released last week in the United States and had a dismal opening weekend, but its UK delay isn't solely down to a poor box office forecast. According to a July 20 report by Deadline, UK distributor eOne is completely shuttering its UK theatrical operations. Days later, parent company Hasbro announced that eOne is being sold to Lionsgate for $500 million, with the deal expected to close by the end of the year. 

That's the 1998 one based on the British TV series not those Johnny-come-lately Yank underwear perverts.

cross-posted from: https://lemmy.world/post/2894599

"An alien creature impregnates a woman who gives birth to a man who was abducted by aliens three years ago. The man reconnects with his wife and son for a sinister purpose."

Not going to lie this one actually creeped me out AND that was their intent.

https://www.imdb.com/title/tt0086610/?ref_=ext_shr_lnk

“I’ll say this, it’s not about if but when we will do something, which we will do because we’ve already started talking about it.

Pegg continued: “Edgar came over to my house last year and we started kicking ideas around. It’s not going to be another sort of Cornetto film in that those movies were specifically genre riffs, which addressed the idea of the collective versus the individual.

Paul Eastwood stars in a film about Brexit and an end-of-pier show, but sadly died before it was finished.

Been go the cinema this month? Caught a movie on the telly? Dusted off an old VHS? Then tell us about it.

This genuinely put the shits up a few generations of Brits back at the tail end of the Cold War. Still gives me chills today.

An Irish-British co-production, out today on physical media.

Described as:

Andrew Legge’s found-footage sci-fi feature debut portrays sisterly love and independence in an alternative, ever potentially fascist Britain

The Observer reviewed it saying:

The debut film from Irish director Andrew Legge is a pacy, thrillingly inventive found-footage mockumentary that purports to show the invention, in 1940, of a machine that can intercept television and radio broadcasts from the future. The device is named Lola in honour of the mother of the machine’s creators: two sisters, Thomasina (Emma Appleton) and Mars (Stefanie Martini). And at first, Lola is a portal to new artistic and cultural frontiers. But then, as the second world war escalates, the machine becomes part of the war effort, at considerable cost to future generations: an alternative fascist reality swallows the future that the women had glimpsed.

Information:

• Wikipedia
• IMDb
• Letterboxd
• Trakt
• Rotten Tomatoes

Buy at:

• Amazon UK
• HMV

So what films did you see in the last week?