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• Cap’n Freeman’s log records the stardate as 58759.1.

• The world of Corazonia is an artificial ringworld circling a star. In “Rosetta” and “Coming Home” we saw that Species Ten-C used similar Dyson rings to harvest energy from the stars of their original home system, and their newly established home.

     • The scale of Corazonia and its star is…questionable, but that’s hardly a new issue in Trek. Consider the USS Voyager traveling through the planetary ring in VOY’s title sequence, or the utterly massive Borg cube being visible in Jupiter’s eye in the PIC finale, “The Last Generation”.

     • Not canon, but Corazonia very much resembles the Ringworld from the cover art of Larry Niven’s 1970 novel, “Ringworld”, set in his Known Space series, which is also the origin of the Kiznti.

• Corazonia’s climate is controlled by a sentient computer, Vexilon. Other planet controlling computers have been seen in:

     • “The Return of the Archons” - Landru

     • “The Apple” - Vaal

     • “Spock’s Brain” - The Controller

     • “For the World is Hollow and I Have Touched the Sky” - The Oracle of the People

     • “When the Bough Breaks” - The Custodian

• Freeman roles up her sleeves before getting to work on Vexilon, not unlike the way Mariner keeps her sleeves all the time, despite it landing her in the brig at least once.

• Freeman states that she ”minored in archaic technology back at the Academy.” If Mariner is to be believed in “Room for Growth”, the USS Cerritos has been overwritten by D’Arsay technology three times.

• Boimler’s team’s shuttle is the Kings Canyon, presumably named for Kings Canyon National Park

”Statistically, ensigns serving under recently promoted commanders are more likely to experience death and/or dismemberment.” Wesley Crusher’s entire team in “Pen Pals” died during his first time in charge, and he wasn’t even recently promoted.

• Inside the anomaly storage room we see:

     • A probe resembling the Kataan probe from “The Inner Light” but with some notable differences

     • What appears to be an oversized Vulcan lirpa

     • Nomad from “The Changeling”, or a very similar Earth probe transformed into an artificial life form

     • A Wadi board game, from “Move Along Home”

     • What appears to be an empty transport case for a Medusan, including a visor missing the red protective lens; Ambassador Kollos used one in “Is There in Truth No Beauty?”

     • A bat’leth

     • A Betazoid gift box, like the one seen in “Haven”

     • A 23rd century Romulan cloaking device, like the one Kirk and Spock stole in “The Enterprise Incident”

• Billups’ pet ferret is named Lancelot; it was established in “Where Pleasant Fountains Lie” that Billups comes Hysperia, a planet colonized by “Ren faire type” humans.

• Tendi, Mariner, and Rutherford are using T-88 scanners to check the chips in the isolinear chip junction. T-88s were first seen in “Cupid’s Errant Arrow” and weren’t available fleetwide yet, but Rutherford and Tendi did steal a bunch from the USS Vancouver.

”Is it a unotronic?” Duotronic and multitronic systems were designed by Richard Daystrom, which we learned in “The Ultimate Computer”. This is the first mention of a unotronic system, though it’s not entirely clear if that’s an actual thing, or simply a bit for Billups’ joke.

• Dirks claims he was trapped in the Wadi game for a month as a child. The Wadi are a gamma quadrant civilization who were first encountered in 2369, 12 years prior to this episode.

• Boimler refers to the large blue guy as ”Big Merp.” In “I, Excretus” the scoreboard showed that another member of the same species was also named Merp. Are all members of the species named Merp? Is it the name of their species and just what they’re all called? Or is Merp simply a common name among their species?

• Rutherford ends up in the Wadi game, where he encounters the same puzzles Captain Sisko, Kira, Doctor Bashir, and Jadzia did in “Move Along Home”.

• Dirks states the Tellarite slop jazz musician Fats B’zirtak overdosed on ketracel-white. Assuming fats was not a Jem’Hadar, I believe this is the first time we’ve heard of a non-Jem’Hadar consuming ketracel-white in canon.

• The Betazoid gift box gets zapped by the not-Kataan probe and experiences an entire simulated life, similar to what happened to Captain Picard in “The Inner Light”, though at no point from Rutherford’s perspective does the gift box appear to be unconscious.

     • ”I miss my wife.” The gift box repeats Michael Sullivan’s line from two episodes ago in “Twovix”.

• After he dies we see Boimler in room which appears to be inspired by the red room from “Twin Peaks” based on the floor pattern, lamp, and end table. Outside the window he sees the black mountain, which Shaxs described as a ”spiritual battleground” in “We’ll Always Have Tom Paris”.

     • The Koala appears, and according to the subtitles it’s ”speaking Koala” but if you reverse the audio it says, “It is not your time, Bradward Boimler.”

     • This is the second time Boimler has seen the Koala, the first being when he nearly drowned in “First First Contact”.

     • Despite being at the Black Mountain, Boimler did not have to fight three faceless aspirations of his father, nor did the surviving father feed Boimler his own heart, as Shaxs described in “We’ll Always have Tom Paris”.

”You never forget your first death.” Ransom implies that he too has died.

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Bleeding Cool previews behind the scenes commentary from Hageman Brothers from prerelease of DVD-BlueRay bonus content.

CBS Entertainment is keeping the profile up on Prodigy merchandising. A bright spot amidst Paramount’s erasure of Prodigy in Star Trek Day content.

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Sisko/Benny theory (lemmings.world)
submitted 1 year ago* (last edited 1 year ago) by CeruleanRuin@lemmings.world to c/startrek@startrek.website
 
 

So we learn at the end that Sisko's birth was engineered by the Prophets, right? That he was always destined to be the Emissary because that's how it had to be, from the nonlinear perspective of the Prophets.

So what if they based him on a man from Earth centuries before (perhaps one of his father's ancestors)? He does say at one point that maybe God is trying to tell him to quit writing and go into the restaurant business, betraying a love for cooking, which maybe he passed on to his children - and maybe he passed this on to his descendants, one of whom moved to New Orleans and opened a Creole kitchen, which would stay in the family for many generations...

They chose this man because by some quirk he had genuine future-sight and saw forward into the life of Sisko because of their connection established by the Prophets - creating a self-sustaining loop.

Now of course that doesn't explain why all of the people in Benny's life are so similar to Sisko's people (or is it the other way around?), but maybe there's something there about celestial-temporal archetypes, or Benny is projecting those faces and personalities onto his coworkers because of his strange and exceptional mind.

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Via https://twitter.com/leohoratio/status/1328778709667602436

Image transcription of a Tweet by @leohoratio: my body is not a temple. it is a federation starship with critical hull damage and shields at 0%

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The 40 best stand-alone TV episodes that can be watched on their own.

Kind of a funny theme for a list, but “City on the Edge of Forever” made it.

@startrek #StarTrek

https://slate.com/culture/2023/09/best-stand-alone-episodes-tv-television.html

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The Ready Room may be on hiatus during the strikes, but it looks like they have some prerecorded segments in the can.

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/ Film is continuing to report and opine on key points in the oral history book "The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams," edited by Mark A. Altman and Edward Gross.

For those of us who haven’t (yet) invested in the book, these extracts and reflections can prompt some interesting discussion.

In this case, it sounds like Nimoy’s hesitation led to a much less action-oriented integration of Spock’s presence. An interesting thought experiment.

Also, it sounds like tapping nostalgia and interlinking shows has been a constant pressure from senior executives at the IP holder. It’s well known that Roddenberry resisted close callbacks to TOS, and was determined for TNG to stand on its own in its own era. Even five seasons into TNG, Paramount senior executives though still weren’t convinced it didn’t need a TOS-connection boost.

Considering the amount of callback mining and IP nostalgia mining in the current era shows, it seems as though Kurtzman’s got a hard road to convince Paramount to give new characters and eras a chance to stand on their own.

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Can't write a review worth a damn, but figured I'd point out this story for anyone looking for something interesting to read.

So, a few things to explain, My Little Pony (MLP) was a cartoon about magical coloured ponies, MLP: Equestria Girls was a tween spin-off that introduced the character of Sunset Shimmer who passed through a magic mirror to a world of humanoids in a high school setting where we saw alternate versions of many characters from the original MLP.

So, I decided to give this a try thanks to a different story, Sunset's Isekai. I prolly don't need to explain what that one is, I mean it's such a sci-fi trope, but just in case, it's a time and dimension traveling bar run by a version of Sunset Shimmer. I was already aware of the story, but had figured it'd be MLP:EG in space, or ponies have a first contact or start their own space program, none of which particularly interested me. SI introduces us to this version of Sunset, field promoted Captain Sunset Shimmer of the USS Phoenix, and an overview of her life and current situation, all of which sounded like a well done Star Trek story, so I decided to read it.

At nearly half a million words and three seasons, there's a lot to catch up on, but it's worth it. Thanks to a 'magic' mirror, Sunset winds up at Starfleet Academy at 11 years old, and is obviously terrified to be surrounded by aliens, none of whom speak proper Equish.

Once she gets calmed down, and a medical examination, her life begins. Adopted by two teachers at the academy, she grows up on Earth, joins Starfleet because how else will she find home?

Six months into her life, she's joined by another pony that got sucked into the mirror, who will also join Starfleet.

Sunset winds up serving on the Enterprise, but thankfully the author doesn't insert her into the episodes we know, most times she has little to do with them and often times has know idea what occurred, after all she's just another ensign there, albeit a brightly coloured unicorn. The only change she makes to Star Trek is that she delays the warp core explosion long enough that the saucer section never crashes.

Beyond that, she dies, comes back to life (like that's never happened in Star Trek), becomes the XO on the Phoenix and takes part in the Dominion War, and eventually gets home.

The story is still going on, but the Phoenix, last surviving member of it's fleet, is limping home, limited to warp 4, barely any shields or phasers, a journey expected to take a year.

——————— Overall, it's a good read. Sure, fan fic, so it won't hold up like a professionally written story, but it is a very well done story. The author doesn't fall into traps like making the pony characters a huge part of canon, they don't replace anyone, and they don't save the galaxy. They do add an extra wrinkle to the dominion war, one you might be able to guess. Familiarity with MLP isn't necessary, the author explains most of what you need to know either in the story, or the author notes at the end of every chapter.

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Kev & Rob narrowly avoid being merged in a transporter accident, and inspired by "I Have No Bones Yet I Must Flee", pay a visit to the menagerie of episodes in which humanity is put in a cage, including "The Eye of the Beholder" (TAS), "The Cage" (TOS), and "I, Mudd" (TOS). They also briefly discuss the first of the Very Short Treks, "Skin a Cat", as well as Star Trek Day 2023.

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This was included in the Star Trek Day content, but released separately a couple of days ago.

It’s nice to see Discovery getting a lot of love in this. It also really shows how great so many of Discovery’s vfx heavy scenes have been.

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Hi there. I've had 3 terrible days in a row and I'm in desperate need of some good laughs. Which episodes do you recommend? I'm too tired to think straight by now. Bonus points if Neelix is in them. Thanks in advance. :)

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strangely if you search star trek prodigy on paramount plus (in my case as an addon to my primevideo subscription) - episodes s1e03 and 04 are available and play fine. The rest are marked unavailable as expected.

I'm guessing its a mistake, but would be cool if this were an indication of something happening

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Stumbled over this in Gothenburg, Sweden. Made my day.

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The Stardate is 58795.1.

A megastructure is a large artificial object, in science fiction terms a massive construct in space, like a Dyson Sphere or a Ringworld, encircling a star. Corazonia, a Federation world, is of the latter variety, also known as a Dyson Ring. In DIS: “Rosetta”, Species 10-C had created a set of Dyson Rings around an extragalactic star. The word corazón means “heart” in Spanish.

Freeman’s concerns about Vexilon are well-founded. Star Trek doesn’t have a good track record with seemingly benevolent AIs that are designed to care for a population. Notable examples include TOS: “The Return of the Archons”, “The Apple”, “For the World is Hollow and I Have Touched the Sky”, “The Ultimate Computer”, DIS’s Control, and recently in LD we had AGIMUS and arguably Peanut Hamper.

The mountain that was flooded is named Inspiration Peak. The real world Inspiration Peak is a glacial feature in Minnesota.

One of Boimler’s away team is ENS Taylor, a Kzinti (TAS: “The Slaver Weapon”). Kzinti were originally created by Larry Niven for his Man-Kzin War stories, and were featured as antagonists in the TAS episode he penned. However, they were not used again (presumably because of copyright reasons) except in Task Force Games’ Starfleet Battles starship combat game until they were mentioned by Riker in PIC: “Nepenthe”. Kzinti crew have shown up in LD starting in LD: “Mugato, Gumato”.

The other two are a human Asian female, Meredith and a male member of the unnamed species LT Merp belongs to (LD: “Second Contact”, although this officer appeared in LD: “First First Contact”, and Boims in this episode calls him “Big Merp”).

While this is the first time we’ve seen the anomaly storage room, our heroes were assigned Anomaly Consolidation Duty in Season 2’s LD: “The Spy Humongous”, which went about as well as you’d expect.

What I can identify in the room is a lirpa (TOS: “Amok Time”), the Nomad probe (TOS: “The Changeling”), a Wadi chula board (DS9: “Move Along Home”), a Klingon bat’leth with a box that contains a ferret, and a Betazoid gift box (TNG: “Haven”). Rutherford points to a hat that apparently turned Billups into a church tower, and Tendi warns him away from a spider that would make his head fall off and skitter away (a reference to a scene from the John Carpenter movie The Thing where that exact thing happens?). There’s a device that looks like a Kataan probe (TNG: “The Inner Light”) but it had two prongs on each side instead of the usual one, so that threw me off.

Mariner misquotes the chula chant as “allamalay, lemon meringue”. The actual annoying phrasing is “Allamaraine, count to four. Allamaraine, then three more. Allamaraine, if you can see. Allamaraine, you'll come with me.”

On a shelf behind her is the Romulan Cloaking Device from TOS: “The Enterprise Incident”, which is Nomad’s head stuck on one of the Arretan energy globes from TOS: “Return to Tomorrow”.

Isolinear optical chips are the successor to the solid data cartridges seen in TOS and the transparent carts seen in SNW. The primary software and data storage medium of Starfleet in the 24th Century, they were first seen in TNG: “The Naked Now”. The lieutenant giving orders to Tendi, Mariner and Rutherford is named Dirk.

The breathers are similar in design to that initially used by the landing party in TOS: “The Squire of Gothos” being a mask connected to a box-like air supply. The handheld scanners look like T88 diagnostic tools, a bunch of which were stolen by Rutherford and Tendi from the USS Vancouver (LD: “Cupid’s Errant Arrow”). The ferret in the anomaly room is apparently Billups’ pet Lancelot.

Vexilon’s original designers evolved into fifth-dimensional energy beings 6 million and 7 years ago. Our universe is popularly considered to have four dimensions: three observable spatial ones - length, width, height - and one temporal one, time, although we can only move freely in the first three. In VOY: “Shattered”, the admittedly fictional Chaotica stated that there are only 5 dimensions.

As a deeper cut, Superman’s enemy Mr Mxyzptlk is said to be from the 5th Dimension, and Rod Serling stated that the Twilight Zone was a fifth dimension - the dimension of imagination.

We last saw ascension in LD: “Moist Vessel”, but there are a number of species in Star Trek that make the transition from corporeal to incorporeal, like the Thasians (TOS: “Charlie X”), Organians (TOS: “Errand of Mercy”), the Q (TNG: “Hide and Q”), the Zalkonians (TNG: “Transfigurations”), Kes (VOY: “The Gift”), Benjamin Sisko (DS9: “What You Leave Behind”). In “Moist Vessel”, it is said the Tamarians (TNG: “Darmok”) use florkas to aid ascension.

Billups makes an engineering joke about “unotronic” systems. In the 23rd Century, Richard Daystrom made the duotronic - as opposed to electronic - breakthrough that powered starship computers. Although his attempt at multitronics proved initially disastrous (TOS: “The Ultimate Computer”), multitronic systems eventually were used in technologies requiring the use and manipulation of memory or personality engrams in the 24th Century (DS9: “Extreme Measures”, VOY: “The Swarm”).

Freeman accidentally reboots Vexilon to factory settings, which basically sends him into a planetary re-genesis, similar to but less rapid than the effect created by the Genesis Device (ST II). Freeman wants Boims to reverse the retrofit so they can force a restart, before the anaerobic bacteria are released. Anaerobic bacteria (so called because they don’t require oxygen to survive) were the first known living organisms on Earth from which all life evolved. The urgency may be due to a concern that Vexilon might start removing oxygen from the atmosphere since that might harm the bacteria.

I wonder if T’Lyn’s use of the word “fascinating” is the same as Spock’s, who said he reserved its use for the unexpected. In other contexts, he claimed“interesting” would suffice (“The Squire of Gothos”).

The prank Mariner, Rutherford and Tendi rig up involves the chula game, a phaser, the Betazoid gift box and the Kataan probe. Dirk claims he got trapped in a chula game for a month as a kid, traumatizing him (this is a lie, as we find out later).

Tellarite slop jazz is the latest reference to Tellarite culture. In SNW: “Among the Lotus Eaters”, Ortegas jokes that Uhura stays up late translating Tellarite sonnets.

Dirk says Fats B’Zirtak overdosed on ketracel-white. “Fats” is a common jazz nickname, probably most famously applied to “Fats” Waller. Ketracel-white is the substance that Jem’Hadar are dependent on to survive (DS9: “The Abandoned”, et al.). There is a brand of hot sauce called “Ketracel White Hot” with a 17 million SHU rating (LD: “Grounded”).

Levels in chula are called shaps, as per “Move Along Home”. Rutherford exits the game the same way the DS9 crew did in the episode, by falling into a chasm.

It turns out the probe is a Kataan probe after all, or at least acts like one, since it downloads a whole life experience into the gift box. The gift box sobs, “I miss my wife.” In the simulated life in “The Inner Light”, Picard lived an entire life with a wife and son. The gift box’s line is also said by the Michael Sullivan hologram in LD: “Twovix”.

When Boimler dies, he sees the Black Mountain, which Shax described as a spiritual battleground the soul goes after death to battle three faceless apparitions of their father after which the surviving father makes them eat their own heart (LD: “We’ll Always Have Tom Paris”). Boims also sees the Cosmic Koala (“Moist Vessel”), which Steve Stevens also reported seeing sitting on the mountain when he was brain dead for ten minutes (LD: “Mining the Mind’s Mines”).

The Koala apparently says, “It’s not your time, Bradward Boimler,” in reverse. This scene is a riff on the extradimensional space called the Red Room from Twin Peaks, down to the design of the lamps and the pattern of the floors. The backwards dialogue references how the Red Room actors’ lines were spoken backwards then played forwards to produce an otherworldly intonation.

Ransom says “You never forget your first death.” As was said in “We’ll Always Have Tom Paris”, bridge officers are always coming back from the dead. Technically, this is Boimler’s third death, the first two being in LD: “First First Contact” (where he first saw the Koala) and LD: “Crisis Point 2: Paradoxus”.

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I rewatched the first episode of Voyager, and when Neelix first comes aboard the ship, he marvels at the great culture that created it. Tuvok says something along the lines of "The Federation is made up of many cultures. I am Vulcan". A few scenes later, Neelix calls Tuvok "Mr. Vulcan", and Tuvok does not correct him. So, yeah, 100% lack of communication on Tuvok's side. Sure, Neelix hears other people call Tuvok by his proper name, and as some point he understood "Vulcan" is the name of his race. But by then, as Tuvok never corrected him or shown any visible dislike to being called that, he might have come to the conclusion that Tuvok likes it, and thinks of it as a funny nickname.

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LoglineBoimler leads his first away mission on an alien megastructure.


Written by: Ben Waller

Directed by: Brandon Williams

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